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Appreciation towards DS+R for providing the following description:

在Diller Scofidio + Renfro与的Gensler合作下，位于纽约的现代艺术博物馆（MoMA）近日完成了翻新和扩建：既有展厅的空间面积增加了30%，为游客带来更加友好和舒适的游览体验，同时也使博物馆与曼哈顿中心区的城市肌理连接得更加紧密。项目于2014年正式启动，东侧的一期改造工程于2017年完成，西侧的二期扩建工程于2019年10月21日正式完工并向公众开放。

The Museum of Modern Art has completed a renovation and expansion designed by Diller Scofidio + Renfro, in collaboration with Gensler, that has increased gallery space by 30%, provides visitors with a more welcoming and comfortable experience, and better connects the Museum to the urban fabric of midtown Manhattan. Launched in 2014, the first phase of renovations on the east end was completed in 2017, and the second phase of expansion on the west end is now complete and opens to the public on October 21, 2019.

▼从53街望向建筑立面，53rd Street Elevation ©Brett Beyer

▼53街主入口，53rd Street Entrance ©Brett Beyer

整个扩建项目使得MoMA的展厅面积净增了三分之一，总面积达到约165000平方英尺（约15329平方米），使博物馆能够以全新的跨学科方式展示数量更加庞大的艺术作品。设计方案对既有空间进行了优化，使其变得更加灵活且具有技术先进性。博物馆主厅被充分地扩展和打开，成为一个光线充足的双层高空间。主厅无缝地衔接于西53街和54街之间，创造出更加宽敞的交通路径，使来访者可以在此停留和思考。位于博物馆中心的工作室配备了最先进的设施，与二层的创新实验室共同邀请参观者与艺术近距离接触，探索当下、过去与未来的新想法。博物馆商店被降低了一个楼层，通过巨大的玻璃墙敞开于街道。六层新开设的咖啡馆带有朝向53街的户外露台。通透的玻璃立面、街道层的新展厅以及向所有人开放的自由布局的首层空间共同为博物馆赋予了更高的透明度，同时让艺术与曼哈顿中心区的行人们更加贴近。

▼首层平面图，plan level 1 ©DS+R

▼剖面透视图，section perspective ©DS+R

The overall expansion yields a net increase in MoMA’s gallery space of one third, to approximately 165,000 square feet, allowing the Museum to exhibit significantly more art in new and interdisciplinary ways. The design optimized current spaces to be more flexible and technologically sophisticated, expanded and opened up the main lobby into a light-filled, double-height space that connects seamlessly between West 53rd and 54th Streets, and created a multitude of circulation routes with more areas for visitors to pause and reflect. The state-of-the-art Studio in the heart of the Museum and an innovative second-floor Creativity Lab invite visitors to connect with art that explores new ideas about the present, past, and future. The flagship Museum store has been lowered one level and made visible to the street through a dramatic glass wall and a new sixth-floor café includes an outdoor terrace facing 53rd Street. The clear glass façade, new street-level galleries, and a ground floor free and open to all offer increased transparency and bring art closer to people on the streets of midtown Manhattan.

▼负一层和街道层概览，Flagship Museum Store ©Brett Beyer

建筑上的表达着重于在博物馆内部建立新旧材料之间的严谨对话。设计基于对建筑的历史DNA的深入研究，通过一系列反映20世纪现代主义的策略性介入——纯净的材料，抽象的空间以及纤薄感——在原本互不相干的元素之间构成连接。这种合为一体的效果最终通过极简的、与既有建筑肌理相呼应的材料使用得以实现。

The architectural expression is a restrained conversation between the existing palette and new materials within The Museum of Modern Art. The design taps into the historic DNA of the building, relating disparate elements through a series of strategic interventions that reflect aspects of twentieth-century modernism: purity of material expression, abstraction of space, and thinness.Synthesis is achieved with a minimalist use of materials which correlates with the existing building fabric.

▼从六层望向刀锋楼梯，Blade Stair, View from Level 6 ©Brett Beyer

大厅和售票处（1层）
LOBBY AND TICKETING (Level +1)

新的入口顶篷将客人从53街引入双层高的空间，从这里可以将53街和54街之间的景象一览无余。售票处和衣物存放区经过了重新配置，同样位于入口所在的中央轴线上。东侧大厅的次入口为主入口提供了补充，设有专用的电影服务台和接待处，以及会员专属的衣物存放区。访客们可以通过西侧大厅的两个入口进入博物馆商店和首层展厅。大厅空间向所有人开放，同时可以用于展出大型的艺术装置。

A new custom entry canopy welcomes visitors into a double height space from 53rd street with an uninterrupted view between 53rd and 54th street, liberated by reconfiguring ticketing and coat check off this central axis. This primary entrance is complimented by a secondary entrance in the east lobby, which features a dedicated film desk and reception and coat check for members. Visitors can access the retail store and ground level galleries through two entrances in the west lobby. The open lobby is equipped to host installations of art, on a ground floor free and open to all.

▼大厅空间和休息室，Interior view of The Museum of Modern Art Lobby, West Connector ©Iwan Baan

▼售票平台，Ticketing Platform ©Iwan Baan

▼大厅休息室和售票平台，West Lobby Lounge and Eli & Edythe Broad Ticketing Platform ©Iwan Baan

博物馆旗舰商店（-1层）
FLAGSHIP MUSEUM STORE (LEVEL -1)

博物馆旗舰商店位于地下层，面积为5950平方英尺（约553平方米），敞开于上方的大厅空间。这种布局方式使得改造后的大厅得以从视觉上与街道相连。通透的临街玻璃窗使街上的行人可以俯瞰到商店内的情景。低于地面的高度在提供较高可见度的同时避免了对大厅和其他艺术空间形成干扰。博物馆的访客可以从入口（Night Entry）、西侧休息室（West Connector Lounge）和刀锋楼梯（Blade Stair）等多处空间俯瞰到商店内部。此外，不想参观博物馆的访客还可以通过专门的街道入口、桥梁、楼梯和玻璃电梯进入商店。

The 5,950 square foot flagship Museum store is located at the Cellar Level, open to the Lobby above. This allows the reconfigured lobby to be visually connected to the street. Clear street-level glazing allows views into the store from the exterior sidewalk above. The lowered elevation provides a high degree of visibility without interfering with the lobby and art spaces beyond. Museum visitors can look down into the store from the Night Entry, West Connector Lounge, and Blade Stair in passing. There is a dedicated street entrance, bridge, glass elevator and stair enabling shoppers to bypass museum patrons if desired.

▼博物馆旗舰商店室内概览，Interior view of The Museum of Modern Art, Flagship Museum Store ©Iwan Baan

▼从53街望向休息室和商店，View of West Connector from 53rd Street ©Brett Beyer

街道层展厅，项目展厅（1层）
STREET-LEVEL GALLERY, PROJECTS GALLERY (Level +1)

包含专门项目展厅（Projects Gallery）的一层展厅面积为3900平方英尺（约362平方米），向所有人免费开放。双层高的项目展厅能够适应多种媒体和尺度，装配了可卷起的投影幕布和用于控制光线的遮光布。定制的LED灯具可以基于照明轨道系统任意布置，带来均匀的洗墙光，非常适合多媒体场景使用。

The 3,900 square foot street-level galleries, including the dedicated Projects Gallery, are free and open to all on the expanded ground floor. The double-height Projects Gallery (26’- 6”) is responsive to variable media and scale, integrating roll-up shades for projections and black out shades to enable variable lighting control for projections. The custom designed LED light fixtures can be reconfigured within the light track system. They provide an even wall-wash of light, ideally suited for mixed-media installations.

▼从日间展厅俯瞰项目展厅，Installation view of Daylit gallery 212, Sheela Gowda’s of all people, overlooking Projects Gallery, featuring Projects 110: Michael Armitage, The Museum of Modern Art ©Iwan Baan

CROWN创新实验室（2层）
PAULA AND JAMES CROWN CREATIVITY LAB (Level +2)

位于二层的Crown创新实验室面积为1600平方英尺（约148平方米），是一个实验性的创意空间，由Gensler设计，教育部运营，用于探究想法、问题和艺术实践过程。木材和其他柔软的材料营造出温暖而亲切的氛围。胶合板的使用带来有趣的观感，灯具的设置使其在大厅处呈现为一个明亮的空间。用于投影和张贴的大型枢轴墙和通高的储物墙为MoMA动态的教育计划提供了支持。

The 1,600 square foot Crown Creativity Lab, designed by Gensler, on the second floor is an experimental, creative space programmed by the Education Department to explore ideas, questions, and art processes. The use of wood and soft materials creates a warm and engaging space. The choice of plywood creates a playful environment, and the lighting illuminates the space, as seen from the lobby. A large pivoting wall for projections and pinups, as well as full height storage walls, support MoMA’s dynamic educational programs.

▼二层平面图，plan level 2 ©DS+R

David Geffen新展厅和Jerry Speyer & Katherine Farley大楼（2，4，5层）
DAVID GEFFEN WING, JERRY SPEYER AND KATHERINE FARLEY BUILDING (Level +2, +4, +5)

得益于重新设计的交通空间，博物馆新扩建的部分将全部用于艺术品的展示。西侧的展厅空间共计增加了4万多平方英尺（约3716平方米），使MoMA的长期愿景得以实现：利用所有媒介形式，通过一系列流畅且相互关联的叙事来展示数量更加庞大的艺术收藏。二层、四层和五层的既有展厅已经通过（让·努维尔设计的）53W53大楼内的David Geffen新展厅向西扩展，每层的面积增加了约11500平方英尺（约1068平方米）。

Thanks to the redesigned circulation, the new western expansion of the Museum will be dedicated almost entirely to the display of art. The more than 40,000 square feet of gallery space being added in the western portion of the building will enable MoMA to realize a long-held aspiration: to present significantly more of its collection through a series of fluid, interconnected narratives of modern and contemporary art across all mediums. The existing galleries on the second, fourth, and fifth floors have been expanded westward through the new David Geffen Wing inside the 53W53 building designed by Jean Nouvel, adding approximately 11,500 sf per floor.

▼David Geffen新展厅，207号展室，Installation View of David Geffen Wing gallery 207 ©Iwan Baan

▼David Geffen新展厅内部，413号展室，展出装置：《打破陈规》，Installation View of David Geffen Wing gallery 413, Breaking the Mold, The Museum of Modern Art ©Iwan Baan

扩大了30%的展厅空间包括Jerry Speyer和Katherine Farley大楼，它由多个垂直互联的画廊构成，拥有不同的层高和采光条件：一些拥有自然光照，一些被用于表演和电影放映。新展厅的标准荷载力（250磅/平方英尺）是原来的两倍以上，并拥有13000磅（约5896千克）的集中荷载力。材料的微妙变化体现了新旧画廊之间的过渡，其中包括宽度由4英寸（约10.16厘米）扩大到8英寸（约20.32米）的木地板，以及受到谷口吉生设计的不锈钢门的启发而涂黑的钢制大门。

The 30 percent increase in gallery space includes the Jerry Speyer and Katherine Farley Building, a stack of vertically interlocking galleries of varying heights, some naturally lit, some equipped for performance and film. The new galleries can accommodate over double the typical load capacity of existing galleries, measuring 250 pounds per square foot with provisions for 13,000 pound point loads throughput the galleries. The subtle shifts in palette marking the passage between old and new galleries include increasing 4-inch wide wooded plank flooring to 8-inch wide planks and blackened steel portals inspired by the Taniguchi-designed stainless steel portals.

▼从David Geffen新展厅206号展室望向涂黑的钢制大门，Installation View of David Geffen Wing gallery 206, Transfigurations, The Museum of Modern Art With view of Blackened Steel Portal ©Iwan Baan

Marie-Josée & Henry Kravis工作室（4，5层）
MARIE-JOSÉE AND HENRY KRAVIS STUDIO (Level +4, +5)

配备最先进设施的Marie-Josée和Henry Kravis工作室占地2000平方英尺（约185平方米），是世界上首个专门用于表演、制作和展示基于时间的艺术作品的空间，并且与博物馆主体的展厅相结合。在这里，表演、舞蹈、音乐和声音作品通过四层的门厅和五层的飘窗与周围展厅内的现代和当代艺术叙事相互呼应和关联。

高度达31英尺（约9.4米）的“黑盒子”空间可以容纳不同类型的座位和舞台场景，并提供105个座位和深度为20英尺（6米）的舞台。可拆卸的座椅升降台可以在需要时缩进地板，以提供开放的平面空间。工作室的声音传输等级为60，类似于与专业音乐厅的标准，能够满足各种声学要求。除了可以获取自然采光外，工作室还配备了遮阳板、遮光幕帘和舞台灯光。可走入的悬挂式张力天花板网格使工作室的灵活性进一步得到提高。

The 2,000 square foot state-of-the-art Marie-Josée and Henry Kravis Studio is the world’s first dedicated space for performance, process, and time-based art centrally integrated within the galleries of a major museum. Here, performance, dance, music, and sound works connect to the stories of modern and contemporary art in the surrounding collection galleries, through vestibule doors on the fourth floor and an overlook window on the fifth floor flex gallery.

The 31-foot, double-height black box space can accommodate a range of seating and staging scenarios with a maximum seating capacity of 105 and a 20’ deep stage. Demountable seating risers can be deployed, or stored, to accommodate an open floor plan. The space can accommodate variable acoustics requirements, with a Sound Transmission Class Rating of 60, on par with major concert halls. While performances can be daylit, the studio is also equipped with solar shading, black out curtains, and theatrical lighting. A walkable, suspended tension ceiling grid further enhances the studio’s flexibility.

▼“黑盒子”空间：Marie-Josée & Henry Kravis工作室，Installation View of the Marie Josée and Henry Kravis Studio, The Museum of Modern Art ©Iwan Baan

Caroll和Milton Petrie露台咖啡厅（6层）
THE CAROLL AND MILTON PETRIE TERRACE SIXTH FLOOR CAFÉ (Level +6)

博物馆顶层设有一个3600平方英尺（约334平方米）的咖啡厅，提供休闲小食和餐饮，也可以用于展示针对特定地点的艺术装置。咖啡厅的家具可以堆叠或者清空，以适应特殊活动。室内空间可容纳85人，朝向53街的露台可以容纳55人。

The 3,600 square foot café provides a location for casual refreshments and dining, as well as an opportunity for site-specific art installation on the Museum’s highest floor. Furniture can be stacked or removed for special events. The indoor café can accommodate an 85-person seating capacity, while a terrace facing 53rd street accommodates a 55-person seating capacity.

▼位于博物馆6层的咖啡厅，The Caroll and Milton Petrie Terrace Sixth Floor Café ©Iwan Baan

优化的交通空间
IMPROVED CIRCULATION FEATURES

位于53街的入口顶篷是一块宽度为42英尺（约12.8米）的薄板，重量为95500磅（约43吨），看上去如同穿过了玻璃立面，悬浮在主入口大门的上方。顶篷由悬挂在钢条上的钢板和隐藏的支撑结构制成，26英尺（约7.92米）的悬臂从外墙延伸至人行道上方，为参观者标示出博物馆的主要入口。

The 53rd Street entrance canopy is a thin 42’ plane weighing 95,500 pounds, which appears to slice through the glass facade and float above the main entrance doors. The canopy is comprised of steel plates and concealed ribs, suspended on steel rods. The canopy cantilevers 26’ beyond the facade of the building, out to the sidewalk to mark the main entry point for visitors.

▼入口顶篷，Entrance Canopy ©Iwan Baan

连接东西翼的首层大厅是一个开放的网络，将新建的展厅与改造后的东侧展厅无缝地连接起来。一系列不同高度和布局的展厅共同构成了一个循环网络，有助于实现灵活策展并促进艺术品展示的内聚力。新设置的交通路线将新展厅与二层、四层和五层的既有展厅连接起来，并借此将旧展厅向西扩展至新建的David Geffen展厅和Jerry Speyer & Katherine Farley大楼。

The east-west connector on the ground level lobby is an open network that seamlessly links new galleries to the renovated east side of the building. A gallery loop of distinct galleries with varying heights and layouts supports curatorial flexibility and cohesion in the display of art. These new circulation routes link new and existing galleries on the second, fourth, and fifth floors that have been expanded westward into the new David Geffen Wing and Jerry Speyer and Katherine Farley Building.

▼西侧扩建部分剖面示意，Section through west side expansion ©DS+R

垂直交通空间：历史悠久的包豪斯风格楼梯在一期改造工程中得到修复，现已延伸至首层空间，以加强与二层和三层展厅的连接。商店楼梯提供了从53街直接进入博物馆旗舰商店的路径。涂黑的不锈钢楼梯被设计为偏倚梁的形式，能够将结构荷重转移至平台，使楼梯在结构上自成一体。

▼于2017年一期改造工程中修复的楼梯，
the historic Bauhaus stair completed during the first phase of renovation ©Iwan Baan

Vertical Circulation: Completed during the first phase of renovation, the historic Bauhaus stair was extended to the ground level to restore and enhance access to the second and third-floor galleries. The retail stair provides direct access into the flagship Museum store from 53rd Street. The blackened stainless steel stair was designed as an offset beam, in which structural loads are transferred at the landing. As a result, the stair provides its own built in structure.

▼商店楼梯，Retail Stair ©Iwan Baan

▼从刀锋楼梯望向商店楼梯，Blade Stair and Retail Stair ©Iwan Baan

▼从博物馆商店望向刀锋楼梯，Interior view of The Museum of Modern Art, Blade Stair, view from Flagship Museum Store ©Iwan Baan

刀锋楼梯标示出博物馆新扩建的部分，同时起到平衡材料质感的作用。作为充满活力的都市雕塑，这座楼梯兼具了宏伟的实体感和结构上轻盈感。极简的设计通过大量结构上的创新得以实现：厚度仅6英寸（15.24厘米）的垂直脊柱从屋顶结构悬挂下来，为楼梯和楼梯平台提供了支撑，并且无需额外的侧向支撑。楼梯采用喷砂不锈钢板制成，拥有实橡木材质的踏板和竖板。玻璃扶手和7英尺（约2.1米）宽的竖板均以销钉进行固定，从细节和维度上呼应了翻修后的包豪斯楼梯（踏步被嵌入水磨石表面）。楼梯所在的中庭以吸声的鸟眼枫木板环绕。连接了五层和六层的楼梯采用了不同于刀锋楼梯的设计，标示出展厅层和咖啡厅层之间的过渡。涂黑的不锈钢楼梯从中庭的墙壁挑出，没有设置任何额外的结构支撑。

▼五层和六层的楼梯采用了不同于刀锋楼梯的设计，the 6th floor is distinguished from the blade stair ©Iwan Baan

▼涂黑的不锈钢楼梯，the blackened stainless steel stair ©Iwan Baan

▼刀锋楼梯细部，Blade Stair detailed view ©Iwan Baan

The blade stair marks the threshold to the new expansion of the museum and acts as a palette cleanser. The stair is a vibrant urban sculpture, combining a monumental physical presence with intangible structural lightness. This stair’s minimal expression was achieved through a number of structural innovations – a six-inch thin vertical spine hangs from the roof structure to structurally support the stairs and landings, leaving the structure free of any lateral bracing. The stair is constructed with bead-blast stainless steel panels with solid norther oak treads and risers. Glass balustrades on the seven-foot wide risers are cantilevered and held in place with pins to express the intersection of the two materials, a detail and dimension that echoes the renovated Bauhaus stair where the stair is embedded into the terrazzo. Bird’s-eye Maple with acoustic micro-perforations lines the blade stair atrium. The 6th floor stair connects levels five and six, distinguished from the blade stair to mark a transition between gallery floors and the café. The blackened stainless steel stair cantilevers off the atrium wall, free of any additional structural supports.

▼2017年改造部分，Phase 1 Renovation ©Iwan Baan

立面
FAÇADE

朝向53街的立面受到了既有建筑历史的影响（包括Edward Durrell Stone、Philip Goodwin和谷口吉生等人的设计），但设计的主要依据是其后方空间的具体使用需要。工作室和日间展厅共同享有无边框的悬臂玻璃墙，波点的饰面有助于精确地调节日光和反射。工作室还额外设有一道带有金属网眼夹层的室内隔音玻璃墙（91厘米），被用于控制外界的声音进入，同时过滤阳光和视野。

The 53rd Street façade is conscious of the Museum’s architectural history in the existing Goodwin and Stone, Johnson, and Taniguchi buildings but shaped by the new demands of its adjoining spaces behind. The Studio and the Daylight Gallery share a frameless suspended glass wall with a black dot frit outer surface to delicately modulate daylight and reflection. The Studio features an additional interior glass wall with metal mesh interlayer, as the inner wall of the box-in-box, acoustically isolated construction 3’ behind to control outside sound migration and further filter daylight and view.

▼从三层楼梯间望向建筑立面，View to the Facade from the Blade Stair, Level 3 Landing ©Brett Beyer

大厅、刀锋楼梯和地面层展厅等公共区域的立面选用了无框玻璃面板，以玻璃夹进行固定，同时提供了水平和垂直方向上的支撑，能够将博物馆内部的活动尽可能地在街道上呈现出来。首层展厅有4个立面板可以朝向人行道打开，极大地方便了展厅中的装卸工作。

▼从外部望向刀锋楼梯中庭，Exterior view of The Museum of Modern Art, Blade Stair Atrium, 53rd Street ©Iwan Baan

The façade of the public spaces – the lobby, the suspended blade stair, the Street Level gallery and the retail space below – employ frameless glass panels that are structurally clamped to function as glass beams both vertically and horizontally to maximize visibility from the street to activities inside the museum. Four of the Street Level Gallery façade panels can open up to the sidewalk to facilitate loading and unloading work to the Projects Room Gallery.

▼53街入口顶篷，53rd Street Entrance Canopy ©Brett Beyer

▼轴测图，axon ©DS+R

▼负一层平面图，plan level -1 ©DS+R

▼负二层平面图，plan level -2 ©DS+R

▼一层平面图，plan level ©DS+R

▼二层平面图，plan level ©DS+R

▼三层平面图，plan level ©DS+R

▼四层平面图，plan level ©DS+R

▼五层平面图，plan level ©DS+R

▼六层平面图，plan level ©DS+R

▼立面图，elevation ©DS+R

Location 11 West 53 Street, between Fifth and Sixth Avenues
Architects Diller Scofidio + Renfro in collaboration with Gensler
Renovation and $50 million for renovation and $400 million for
Construction Cost expansion/new construction
Building Milestones 1929: The Museum of Modern Art is founded
1939: Goodwin-Stone Building opened
1964: Philip Johnson Extension completed
1984: Cesar Pelli Extension completed
2004: Yoshio Taniguchi Extension completed
2014: Diller Scofidio + Renfro in collaboration with Gensler,
commissioned for the expansion of MoMA
2016: Expansion groundbreaking
2017: Phase 1 Renovation completed
2019: Diller Scofidio + Renfro in collaboration with Gensler
Expansion completed
Sustainability Targeting LEED Platinum
Museum net dimensions
Total existing Museum 606,000 square feet
Total after expansion 708,000 square feet
Total existing gallery space 128,000 square feet
Total gallery space after expansion 166,000 square feet
Total new and renovated galleries 47,000 square feet
Existing public space 83,000 square feet
Post-expansion public space 104,000 square feet

DESIGN & CONSTRUCTION TEAM
Architect Diller Scofidio + Renfro in collaboration with Gensler
Director, Real Estate Expansion, MoMA Jean Savitsky
Construction manager Turner Construction Company
Retail consultant Lumsden Design
Lighting designer— public spaces Tillotson Design Associates
Lighting designer— gallery spaces Renfro Design Group
MEP/FP/IT Jaros Baum & Bolles (JB&B)
Structural Severud Associates
Façade Heintges Consulting Architects & Engineers P.C.
Sustainability Atelier Ten
Security DVS Security
Acoustics/Audio-Visual Cerami Associates
Vertical Transportation Van Deusen Associates (VDA)
Theater Planning & Design Fisher Dachs Associates (FDA)
Theater Audiovisual Boyce Nemec Designs
Waterproofing Vidaris
Foodservice Cini-Little International, Inc
Signage/Wayfinding Gensler/Wkshps
Steel Fabricator—blade stair Dante Tisi, DAMTSA
Steel Fabricator—retail stair, counters M Cohen
Steel Fabricator—canopy Frener+Reifer, Germany
Millwork MillerBlaker

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